10 movie franchises where every slice looks like a whole different series

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One of the best ways to maintain a long-standing movie franchise is to switch genres. While this may result in a sequel that feels like it’s stepping out of an entirely different series, it’s one of the best ways to inject new blood.

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This creative gamble does not always pay off, however. Where some movie series improve and even thrive by having sequels of all kinds of genres, others flounder and become infamous for their inconsistencies.


ten Texas Chainsaw Massacre Has Continued to Reboot and Remake

Description The Texas Chainsaw Massacre ‘ continuity as “confusing” is to put it lightly, because the Sawyer family series is downright absurd. As early as the second movie, director Tobe Hooper had no intention of taking a Leatherface franchise seriously, so he ruthlessly parodied the movie that put him on the map.

With the exception of the third film, each subsequent film wholeheartedly embraced this ignorance of continuity. Almost all of Leatherfaces’ movies are reboots and remakes with little to no connection to each other. Basically all of them were unsuccessful attempts to restart The Texas Chainsaw Massacre in a topical franchise.

9 Hellraiser struggles to make Pinhead a mainstream slasher killer

The first two Hellraiser the films struck gold unexpectedly, as they were a successful blend of eroticism and gothic fiction. Hell: Hellraiser II is itself a very different film from Hellraiser, because it was more Lovecraftian than the morbid romance of the first film, but they worked in tandem. The same can’t be said for the rest of the franchise.

Hellraiser III: Hell on Earth From that point on he tried to expand the story into a franchise by hunting Cenobites in different genres, all of which failed. For example, Hellraiser: Inferno and Seeker of Hell were time-looped thrillers with pinhead cameos, while Hell world was a drug trip where Pinhead was hallucinating.

8 Alien put Ellen Ripley and the xenomorphs into different genres

Ellen confronts her child in Alien Resurrection

The real stars of the Extraterrestrial franchise are the ever-evolving heroine Ellen Ripley and the titular alien, the Xenomorph. Each sequel featured at least one of the two, so to spice things up, each subsequent movie tackled a different genre. The most famous gender change took place in Extraterrestrials, a war film all about Ellen at war with a horde of aliens.

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Alien 3 went back to the roots of the original’s haunted house through a prison setting, but Alien: Resurrection and the Alien versus. Predator the films followed the action-packed leanings of the second film. The most drastic changes have taken place Prometheus and Alien: Alliance, a prequel timeline that’s its own franchise and a more ethereal take on the same world and concepts.

7 The Predator series is an anthology featuring the Predator

The Yautja engage in armed combat against predators

Like most horror franchises, the only recurring character in the Predator movies are the killer (or the Yautja, according to tradition). Which sets Predator apart from the tastes of Friday 13 (which actually spread to comics), although, it is because he is not a slave to the formula. Instead, each standalone movie dropped a Yautja hunter into a new genre and let carnage ensue.

For example: if the original Predator and Predators were typical war movies with a Yautja in it, Predator 2 put the alien hunter in a detective movie. Some of the weirdest releases in the franchise have come in the form of The predator and the Alien versus. Predator duology, which were a suburban action comedy and franchise crossover, respectively.

6 Resident Evil talks about Alice’s adventures in the zombie apocalypse, not the games

Alice fends off a horde in Resident Evil: The Final Chapter

For better or for worse, the divider, mistaken resident Evil movies ignored everything about games. In fact, the films took their source so generously that the only things that were faithfully adapted were the character names, terminology, and the zombies. Since they had no obligation to stick to the established canon, the films did what they wanted.

Alice’s cinematic debut was a zombie movie by numbers in a lab, but it then morphed into five different types of zombie apocalypses in the sequels. All resident Evil The sequel began by ignoring or outright reconnecting everything that happened in its immediate predecessor, as all of its attention was devoted to showing Alice’s last post-apocalyptic trek.

5 Cloverfield tried but failed to become a sci-fi anthology

Cloverfield's monster reveals himself to Cloverfield

The Cloverfield The great appeal of the trilogy was that its standalone installments were actually connected, thanks to JJ Abrams’ patented Mystery Box. Concrete examples: the original was a horror of found footage, the arguably superior 10 Cloverfield Way was a stretched bottle film, The Cloverfield Paradox was a space thriller, and aliens were the connective tissue. Unfortunately, the whole situation turned against him.

The worst prejudice of the sequels was that they would have been good without their forced ties to the aliens of Cloverfield. The backlash against The Cloverfield Paradox the end of twist was so intense that it was said that Suzerain abandoned his project Cloverfield connection, while the franchise fell into oblivion.

4 Evil Dead trilogy has gone from horror movie to comedy

Ash shows off his boom stick in Army Of Darkness

Although he started off with a very serious splash movie, Devilish death gradually evolved into a comedy. At time Army of Darkness, all tension was gone and traumatized survivor Ash Williams was now a slogan parody of an action hero. Surprisingly, all of this was in line with the plans of writer / director Sam Raimi.

Raimi and his team preferred to do comedies, but they made a horror film to challenge themselves and because it was lucrative. When Raimi gained more creative control, he slowly changed The Evil Dead your, starting with the loose remake of the original film, Evil Dead II. The end result was three distinctively toned movies that just happened to be starring Ash.

3 DC’s Extended Universe pivoted to anthology style out of necessity

Harley leads her team in Birds Of Prey

The DCEU was originally planned as a franchise of interconnected DC Comics adaptations that not only shared a darker tone, but all built into a war between Earth and Apokalips. However, after the reaction against Steel man and Batman V. Superman: Dawn of Justice, the DCEU had no choice but to change course.

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As the original DCEU continues with Zack Snyder’s Justice League and the next Flash movie, stand-alone jobs have received more attention. The change has paid off, with likes of the grindhouse return Birds of prey and the often misunderstood character study Joker be praised for being their own unique experiences more than direct sequels or spinoffs.

2 The Marvel Cinematic Universe Is The Largest Multiverse Of Movies To Date

Star-Lord and his family in Guardians of the Galaxy Volume 2

From the start, the MCU was envisioned as a series of solo films and sub-series of various genres set in the same universe, exactly as the Marvel comics told their stories. For example, Shang-Chi and the legend of the ten rings is a martial arts film, while guardians of the galaxy is a space opera. While these films follow a basic formula and timeline, they can primarily function as individual examples of the genre chosen.

While the MCU may not be the first cinematic universe, it is undeniably the largest and most successful franchise of its kind. That said, the MCU’s reach is about to get even bigger. With the introduction of the Multiverse, the MCU now includes all Marvel movies made outside of the Marvel Studios banner.

1 Godzilla movies have always evolved over time

Godzilla takes on King Ghidorah in Godzilla King Of The Monsters

If there is one thing synonymous with Godzilla movies in addition to the eponymous fire-breathing dinosaur, it’s change. All Godzilla The film tried something different, even though it went against its original concepts and ideas. In fact, in its very first sequel, Godzilla stopped being a metaphor for nuclear annihilation and fought other kaiju as a destructive savior.

While Godzilla is best known for its superhero phase which also included epic crossovers and legendary rivalries, it has had its fair share of villainous twist and horror films. The latter is perhaps the most shocking to those who are more familiar with the heroic Godzilla, even if the likes of Shin godzilla are most faithful to the original 1954 incarnation of Godzilla.

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