Planet-killing ghost ship shakes Apple TV + sci-fi

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Apple TV + Space Opera Foundation deals with all kinds of ghosts in this week’s thrilling episode. Haunted ships with death wishes, old friends back from the dead, and new powers discovered in the darkest hour.

Brother Day makes a reckless decision to thwart a religious order, Salvor Hardin must cooperate with his captors to prevent a rescue mission from turning into suicide, and Brother Dawn discovers the joys of sex.

Foundation review: ‘Mysteries and martyrs’

In the episode titled “Mysteries and Martyrs, “Phara (played by Kubbra Sait) found the mythical ship Invictus. A legendary planet-killer spaceship, it terrorized the galaxy years ago, but has been scuttled and gone for decades. (You could, if you looted the source novels of Isaac Asimov for inspiration to make a space movie in the 1970s, call it Invictus a “death star.” “)

Phara and the Anacreons plan to approach it and use it as a weapon against the Galactic Empire. The problem is, the ship’s defense systems won’t respond to an Anacreon’s commands. However, he might listen to some of the Trantor-born citizens of Terminus whom they kidnapped. So head for the Salvor Hardin ghost ship (Lea Harvey) goes.

There is a catch of course. There is a reason Invictus is called a ghost ship. It has a self-defense mechanism. Every few hours he jumps somewhere random in space. So if they can’t take control of the ship, it could send them into a black hole, or the middle of a planet, or the core of the sun. Salvor and Phara are going to have to put their differences aside to gain access to the control panel before the ship jumps again and possibly kills them both. Easier said than done.

The Brothers continue their adventures

Meanwhile, Brother Day (Lee paceThe journey from) to the far reaches of the galaxy turns out to be a real headache. Prophetess Zephyr Halima (T’Nia Miller) has finally revealed her true purpose to her. She, like Hari Seldon (Jared harris) before her, wants an end to Imperial cloning, the system that produced Brother Day in the first place.

Fearing to lose the voters of Halima and to lose the favor of more and more people, he decides to embark on a holy pilgrimage that people of the religion of Halima undertake for spiritual guidance. He kills some, maims, blinds and starves others. But he cannot halve his hold on power. It’s all or nothing now.

Brother Dawn (Cassien Bilton) took her relationship with gardener Azura (Amy Tyger) to a new level. Not only do they finally have sex, but he shows her the secrets of the Galactic Empire. She gives him a gift to help him correct his color blindness, but explains that if he shows any outward signs of malformation, they will kill him and replace him with a clone they have pending. Azura suggests they run away, and he is tempted but also scared. Brother Twilight (Terrence Mann) is already looking at him like a hawk, annoyed by the departure of Brother Day.

Gaal Dornick (Lou llobell) makes contact on his spaceship with a kind of electronic ghost of Hari Seldon. He placed a scanned copy of himself in the ship before he died, so that she could, for a few minutes at a time, engage in conversations with her former self (dying from the stab that killed him). She has little time to ask him what her plan was before she ran out of oxygen.

To bring the Empire to its knees

Foundation well, bringing actor Jared Harris back almost made me stand up and clap. The show has been good since it started in Episode 2, but you just can’t introduce one of our best actors and then hold them back without me starting to stomp.

He’s back now, however, and in great shape as his holographic consciousness verbally struggles with Lou Llobel’s Gaal. The opening volley of this show really gave off some wrong impressions of his and Alfred Enoch’s performances, as they’ve been stellar ever since.

Llobel’s intense feelings of betrayal in the face of the beatific and calm Harris having once again foiled her, are moving. She can’t really argue with him because he’s not properly there to understand her judgment and anger. She knows it but can’t keep her feelings to herself. And she doesn’t know when she will be able to express them to another living human.

More great performances

Foundation repeatedly gets awesome when he mixes the dynamics of his performers. The strangeness and remoteness of Bilton and Tyger’s duel brings out a very deep heat beneath the surface. Harris and Llobel trying to find logic in the chaos, she unwilling to admit that fate can be cruel and sometimes it’s the end, is perhaps the most exciting the show has been so far.

Harvey and Sait trying to kill each other but couldn’t do the already tense scenes on Terminus (and now the Invictus) even more fun. Salvor’s allies are dwindling rapidly, which means it increasingly seems up to her to stop Anacreon’s terrorist attacks, which is going to put her in an interesting situation. The child of exiled defectors saving the homeland from galactic tyranny. Wouldn’t that be something?

To concern Foundation on Apple TV +

New episodes of Foundation arrive Fridays on Apple TV +.

Rated: TV-14

To watch: Apple TV +

Scout Tafoya is a film and television critic, director and creator of the long-running video essay series The unloved for RogerEbert.com. He wrote for The Village Voice, Movie Commentary, The Los Angeles Review of Books and Nylon magazine. He is the director of 25 feature films and the author of more than 300 video essays, which can be found on Patreon.com/honorszombie.


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