What is true and what is wrong
What is true and what is wrong about Dan Brown The Lost Symbol? After being ignored for the adaptation in the Robert Langdon film franchise in favor of Hell, The Lost Symbol was made into a TV series, which will serve as a direct prequel to the film franchise. In The lost symbol, Ashley Zukerman (Solomon Goode in Netflix Street of Fear trilogy) plays a young Langdon, who, together with Katherine Solomon (Valerie Curry), must locate an ancient portal beneath Washington DC before time runs out. The lost symbol is set to follow Brown’s novel and premieres on Peacock on September 16, 2021.
Like all Dan Brown novels, The lost symbol presents a plethora of symbolism, making essentially advance the plot, with Langdon in the heart of the story. While Brown explores a wide range of religious, scientific and spiritual ideologies and schools of thought in The lost symbol, his approach is much more cautious and measured, perhaps because of the controversies over The “Da Vinci Code and Angels and Demons in the past. Freemasonry features heavily in the plot, as it hinges on the demise of 33rd degree Masonic member Peter Solomon (Eddie Izzard) who happens to be Langdon’s friend and mentor.
It’s important to understand that while Brown borrows from historical documents and architectural evidence to bring his stories to life, much of his designs are fabricated exaggerations, created for narrative impact. Artistic freedom plays a key role here, as Brown takes some tenets from a school of thought and adds his own twist to it, making it difficult to distinguish between what is real and what is made up. Here is the real story behind The Lost SymbolAnd this is mainly true and false about its historical and key cultural elements.
Most Real Time – Details on the inner workings of Masonic ceremonies
Brown puts Freemasons in the foreground The lost symbolBecause it is the cornerstone of the foundation hidden in the depths of the Capitol that propels Mal’akh (Keenan Jolliff) to kidnap Peter Solomon and blackmail Langdon in the process. The existence of the cornerstone is historically accurate, as Freemasons in Virginia and Maryland held ritualistic ceremonies for the foundation stone of Washington DC and the House of Congress. While Brown does a commendable job of outlining the fundamentals of Masonic ideology, particularly through the character of Peter Solomon, certain details of Masonic rites and rituals have been fabricated to dramatic effect. For example, the description of the 33rd degree Scottish rite in which Masons apparently drink from a skull has no historical basis and was most likely taken from an anti-Masonic propaganda article in the 1870s.
A key part of Brown’s tale is Solomon’s Reflection Chamber, a liminal space for meditating on life, located in the basement of the US Capitol building. While the details and the main purpose of the House of reflection are close to the actual practice, it is impossible for the builders to have private rooms in their own homes or business sites because it contradicts the general practice. Apart from that, Brown also claims that pyramids are essentially a Masonic symbol which is wrong as pyramids do not feature strongly in Masonic rites and rituals. Therefore, the whole narrative thread of Mal’akh coveting the pyramid and its cornerstone to reach the apotheosis is the addition of Brown for the sake of the plot, similar to most of the Robert Langdon-Tom Hanls films.
Mostly Wrong – The Untapped Potential of Noetic Science
Halfway through The Lost Symbol, Brown introduces Katherine Solomon, a brilliant scientist who is breaking into the untapped realm of noetic science. The Institute of Noetic Sciences is real, created by Apollo 14 astronaut Dr. Edgar Mitchell in 1973 with the aim of exploring the interplay between scientific knowledge and inner knowledge. While years of research linking scientific discovery and human consciousness are valuable, there is tangible and compelling evidence to warrant further examination of the connection, although much in the field remains to be discovered. Contrary to the current state of affairs in noetic science, Brown posits it as a metaphysical discipline with the potential to revolutionize human knowledge and experience on a universal level.
The problem with this claim is the claim that scientific breakthroughs over time, such as quantum entanglement and string theory, are somehow the result of mystical spirituality, and the former is unknowable without the latter. Brown attempts to go further through the weight of soul experience, which, to say the least, is a poorly controlled endeavor and has never been reproduced under scientifically sound conditions since. As noetic science plays a seminal role in terms of plot, particularly the link between science and the human soul, Brown fictionalises most of this aspect to the ridiculous. The concept of our thoughts and emotions shaping reality may carry some weight, but it is scientifically impossible to prove, making the premise of the noetic sciences questionable.
Mostly exaggerated – Symbols inside historic buildings and their religio-cultural significance
Throughout the episodes of The lost symbolLangdon is based on a historical symbolism crowd apparent mathematical riddles encoded in the prints of Albrecht Dürer the myth of the “lost password” that Brown considers the circumspect. While the accuracy of these statements is highly questionable, Brown sticks to the realm of reality when it comes to architectural descriptions of key buildings, such as the Smithsonian Museum and Temple House. The problem, however, is not with Brown’s description of these monuments, but with the meaning he ascribes to symbols carved into a pillar, fresco or wall, combining dubious rumors with raging urban legends.
For example, Brown’s claim that the Founding Fathers originally decided to call the nation’s capital New Rome is pure invention, unsupported by evidence of any kind, historical or otherwise. Another example of artificial connections are those made to emphasize the significance of the number 33, which Brown, via Langdon, claims to be connected to Isaac Newton’s 33 degree temperature scale, the 33 vertebrae of the human spine, and the 33 degrees of the Masonic circle. . So, as with most of Brown’s novels, The Lost Symbol is a mishmash of facts and fabrications. However, it will be interesting to see how the TV series approaches the character and psyche of Langdon, potentially offering better insight into the complex realm of symbols and how they shape our immediate reality.
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